Katie Pruitt and Molly Tuttle
“I’m better at writing songs after I’ve processed an emotion. I have to let myself feel an emotion before I can write about it.”—Katie Pruitt.
“I write the best when I’m not putting pressure on myself to write about what’s happening around me.”—Molly Tuttle
Like many artists, Katie Pruitt and Molly Tuttle have found the creative process to be a hard road over the past year. But as you’ll hear, when those songs do come, dreams are an especially fruitful time: both women have been awoken in the middle of the night by incredible melodies running through their head. (And as you’ll also hear, one of those daytime melodies actually caused a car crash.)
Katie Pruitt's incredible debut album Expectations (Rounder Records) came out in 2020, and it's one of my favorite albums of the year.
Molly Tuttle released her debut When You’re Ready (Compass Records) in 2019. In 2017, Tuttle was the first woman to win the International Bluegrass Music Association's Guitar Player of the Year award. She won the award in 2018 too, when she was also named the Americana Music Association's Instrumentalist of the Year.
For Yola, songwriting is all about the colliculus. And sometimes a good vacuum.
A good songwriting process for Emily Scott Robinson involves bank pens and vacuum cleaners.
Andrew Marlin of Watchhouse (FKA Mandolin Orange) gets his best writing done between midnight and 4am.
BJ Barham of American Aquarium and poet/novelist Joe Wilkins discuss the powers of poetic observation and why reader empathy is important. And listen to BJ explain why he’ll never write a song about pancakes.
I first interviewed BJ Barham of American Aquarium in November 2020, and we had so much fun we decided to do it again! This time we added a third: S.A. Cosby, author of one of our favorite books from 2020, BLACKTOP WASTELAND. Watch these two creative heavyweights discuss the writing process and books and music.
For both Sarah Jarosz and Margaret Glaspy, the creative process doesn’t allow for much off time. Jarosz doesn’t write on tour: it’s where she collects her ideas. And when she gets home, that’s when she sifts through all those ideas. “Even if I’m not working on a song, I’m always checking into the creative process every day,” Jarosz told me. Glaspy’s process involves using improvisation as a part of her songwriting process, “acting like I know how the song is supposed to go,” she says.
Like many artists, Katie Pruitt and Molly Tuttle have found the creative process to be a hard road over the past year. But as you’ll hear, when those songs do come, dreams are an especially fruitful time: both women have been awoken in the middle of the night by incredible melodies running through their head.
Jeremiah Fraites of The Lumineers wrote most of his new solo album Piano Piano pre-pandemic, but, like most songwriters, he says that the past year has wreaked havoc on the creative process. “Last year was not a good headspace to write from. All that isolation was not good. There was, and is, an underlying element of fearfulness that’s bad for the creative spirit,” he. says.
Allison Russell and Aoife O’Donovan are celebrated songwriters—and working moms. This makes for a songwriting process in which the only ritual is recognizing that you don’t have one.