Posts in Singer/Songwriter
Pete Yorn

It's not that often that a songwriter says that majoring in the humanities was the perfect preparation for being a singer/songwriter.  But that's what happened for Pete Yorn.  He was a speech communications major at Syracuse University  (it's now called "communication and rhetorical studies" there).  He had planned on going to law school and figured that a major emphasizing public speaking was good preparation.  Yorn was "petrified" of getting in front of a group, so the major helped him work through that fear and become comfortable with public performances. 

Yorn's college experience honed his songwriting skills in another way.  If you've ever spent any time near Syracuse, one image comes to mind: snow.  The area is closing in on 200 inches of snow this winter. I spent four years living in the Syracuse area. The cold and snowy winters there are soul-crushing.  But ask Yorn about his time as an undergrad at SU, and he'll tell you that if it weren't for all that snow, he might never have become a songwriter.  What others might see as limiting--the fact that you can't really go outside--Yorn saw as the perfect opportunity to stay inside and do some writing.  "I credit those winters," he says, "as a catalyst to my songwriting."

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Nicole Atkins

After high school, Nicole Atkins moved to North Carolina to study illustration in college.  This means, of course, that she has the mind not just of a songwriter but of a visual artist. This puts her at an advantage when it comes to songwriting.  As she explained to me, her creative process is a visual one.  For instance, she sees songs in colors: there's a lot of green songs on her new release Mondo Amore. And when she's in the middle of writing a song, she visualizes its landscape.  Actually, she doesn't just visualize it: she inhabits it, from gauging the temperature to feeling the ground. As you'll read in this interview, Atkins discussion of songwriting is at times interchangeable with her discussion of visual art.

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Ben Ottewell, Gomez

Ben Ottewell, vocalist and guitarist for Gomez, released his solo album Shapes and Shadows this month. It obviously offered Ottewell much more freedom in his creative process: as you'll read, everything went "a lot faster" since the buck stopped with him.  Read my interview with Ottewell about his songwriting process after the video.

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Haroula Rose

It takes only about five minutes of talking to Haroula Rose to realize the extent of her creativity. Sure, she is a fantastic singer and songwriter.  But she's also involved in film making, is an active photographer, and voraciously consumes poetry.  All of these creative endeavors can't help but strengthen her already considerable talents as a songwriter.

Rose graduated from the University of Chicago, where she majored in English and received her Master of Arts in Teaching. After graduation, she worked in a Chicago music house producing jingles for radio and television. She spent almost two years there before driving out to Los Angeles to work at a production company, where she spent time on film sets.   After seven months in Los Angeles, she accepted a Fulbright scholarship to teach English and drama in Madrid.

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Joy Williams and John Paul White, The Civil Wars

One of the reasons why The Civil Wars work so well is the effortless collaboration between its two members, Joy Williams and John Paul White.  And it had better work well: they travel without a band, playing their music with just guitar and piano.  Plus two beautiful voices.

What I found most unique about their creative process is its genesis.  Most artists start with the music, and the words flow from that.  A few, but not many, start with the words.  The Civil Wars begin with both: when Williams and White get together (both are veteran songwriters and are not married to each other),  White "noodles" on the guitar as they talk about what's going on in each of their lives. It's that combination of noodling and conversation that leads to the ideas for their songs.  (Of course, I'd also argue that prolific output like this is due to their love of William Faulkner and Flannery OConnor, but that's another story.)

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Brian Fallon (2011)

The next time you come across a song by The Gaslight Anthem, see it.  And I don't mean watch it on YouTube.  When it hits your ears, don't just listen to it.  See it.   Because I have a feeling that's what Brian Fallon wants. He may be a songwriter, but he talks like a poet.  He says that "imagery is more important than content" in his songs.  Most all of his songs start with scenery, and his job as the songwriter is to describe what it looks like, to get you the listener to see the imagery that Fallon conveys with his words.  It's no surprise he writes this way, once you know his favorite poet: Dylan Thomas.  As you'll read, Fallon used lines from a Dylan Thomas short story to describe his new side project Horrible Crowes.

I'm assuming that the whole Gaslight Anthem thing will work out for Brian Fallon.  He writes great songs and they put on a great live show. But there's a part of me that thinks he'd make one hell of a poet. Sure, this inteview is long.  I even trimmed some.  But every introspective answer is a window into a fascinating creative process. 

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Lissie

Are you in the market for a  great songwriter who doubles as a fantastic cleaning lady?  If you need someone who can clean your cabinets and pen a mean chorus, look no further than Lissie.  You see, Lissie likes organization.  She needs things to be clean and orderly in the space around her.  For example, she likes to put things in pouches.  Then she puts those pouches inside other pouches.  

The irony in all of this obsession with order is that her writing process is anything but organized.  Lissie is all about the stream of consciousness process, where she just lets everything flow out in one giant mess that she organizes later.  For thirty minutes, she'll just write, with little regard for how it looks or what's coming out.  For someone who insists on the proper placement of the salt and pepper shaker at the dinner table, this can be surprising. 

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Jack Tempchin, Eagles songwriter

For many of the songwriters I interview, the digital revolution has always been a part of their lives.  So it would be easy to think that they embrace technology in their songwriting process.  Not so.  All of them use journals, diaries, little black books, even typewriters.  Heck, one even still owns a Sony Discman.

Enter Jack Tempchin, from the southern California singer/songwriter scene in the 1970s.  When he started writing, people used yellow pads and pencils.  So we might excuse Tempchin for sticking to his original method. But what does Tempchin use?  An iPhone.  This is the bizarro world of songwriting, where twenty-somethings use typewriters and diaries, and singer/songwriters from the 70s use iPhones.  

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