Posts in Influencers
James McMurtry

James McMurtry wants his old iPhone back. The singer-songwriter hasn't been the same writer without it.  And it's all because Apple changed its Notes app.

In the days before computers were the default method for composition, McMurtry wrote lyrics on legal pads. He has boxes filled with legal pads filled with lyrics. He became intensely familiar and comfortable with those yellow pages; there was something about that yellow and those lines that made the words pour forth from his felt-tip pen. McMurtry eventually turned to computers, but with them he sacrificed portability. Cell phones solved that problem. And when McMurtry found that the Notes app on his iPhone 3 looked like that old yellow legal pad paper, well, the words flowed. It was creative nirvana. 

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Mac McCaughan, Superchunk

Mac McCaughan is a busy guy, but does that surprise you? He's married, has two kids, runs Merge Records (which he also co-founded), fronts Superchunk, and has the side project Portastatic. Now, on May 4, he'll release Non-Believershis first solo album.  As you can imagine, McCaughan has little free time, which is why his creative process is more disciplined than most artists'. His window for creative work on the new album was small: since he made the album at home, he did most of the work in the morning, when the kids were at school. Then he'd head to work at Merge in the afternoon. At night, when the kids were in bed, he'd work on it some more. 

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John Oates, Hall and Oates

When I started this site in 2010, I had a goal: treat songwriters as writers, plain and simple. As someone with a Ph.D. in English Literature, I had read my share of interviews with poets, playwrights, novelists, and short story writers detailing their writing process. But what about songwriters? Aren't they writers too? Shouldn't they be included? So when John Oates started our interview by saying, "I've always looked at myself as a writer," I swooned.  Because songwriters are writers. Period. 

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Kevn Kinney, Drivin' N Cryin'

It is a testament to Kevn Kinney's stature among songwriters that other artists like Matt Nathanson and David Bazan tweeted their enthusiasm when I announced that Kinney would be featured here.  Kinney has fronted Drivin' N Cryin' for close to 30 years now, and I've been a fan for most of those years.  Kinney is a native of Milwaukee but the band started in Atlanta, so naturally they've been pegged as a Southern rock band, whatever THAT designation is.  I prefer to see them as a rock band, plain and simple, with early staples like "Fly Me Courageous," "Honeysuckle Blue,"  and "Can't Promise You the World." The band is still active in both recording and touring, releasing one LP and four EPs since 2009. 

 

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Mark Morton, Lamb of God

This site is woefully short of interviews with metal songwriters. I've been a Lamb of God fan for a while, but it was only recently that I watched the 2014 documentary about the band "As the Palaces Burn." No less a metal god than Slash calls them one of the biggest metal acts in the world in the trailer (below). I was impressed by the introspection and thoughtful responses in the band member interviews, so I figured that Mark Morton, guitarist and songwriter for the band, would make a fantastic interview.  And boy was I right. 

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Ray Benson, Asleep at the Wheel

Ray Benson is best known as the co-founder of the country music band Asleep at the Wheel. The band, founded in 1969, has won nine Grammy Awards. Asleep at the Wheel is a contemporary torchbearer for the subgenre of country music known as Western swing, a more danceable kind of country music that originated in the 1920s.

But the 63 year-old Benson has a solo release out now calledA Little Piece, only his second solo album. It represents a departure from his Asleep at the Wheel material; it's more personal and was written from a much darker place, according to Benson. I saw Benson play an in-store at Waterloo Records in Austin a couple of months ago, where he showcased his new material backed by the excellent band Milkdrive. I had never seen Benson before, and his performance was fantastic.  He's a great storyteller and performer whose baritone serves as the ideal complement to his new material.

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Kurt Wagner, Lambchop

Salon magazine recently called Kurt Wagner of Lambchop the "greatest working American songwriter." But Wagner is not only a terrific songwriter, he's also one hell of a painter who has received considerable notice for his talents as a visual artist. In fact, Wagner was a painter before he was ever a songwriter (he has both an undergraduate degree and a graduate degree in sculpture). And these two creative endeavors constantly inform the other: not only do their processes overlap, but a visit to an art gallery might inspire Wagner to write a song. In that sense, then, this is not just an interview with songwriter. It's an interview with an artist. 

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Nils Lofgren, Bruce Springsteen's E Street Band

When talking about his songwriting process, Nils Lofgren, guitarist for Bruce Springsteen's E Street Band, espouses a view shared by successful long-form writers. To many of them, writer's block is merely a failure of courage: it happens when writers expect perfection whenever they put pen to paper.  They're afraid to write badly. But any good writer will tell you that you cannot be afraid to write badly, because writing badly makes you better.  Some writing is better than no writing, and with work you can turn bad writing into better writing.  If you wait for perfection, you won't get much accomplished.

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Meshell Ndegeocello

What do John Bonham and Meshell Ndegeocello have in common?  They've both used hotel rooms for creative expression through some unique rearranging of the furniture. Ok, so there is a bit of a difference. Bonham and the rest of Led Zeppelin trashed their rooms in the name of hedonism. But Ndegeocello tastefully moves the furniture in her hotel room to reclaim the space as her own.  By doing so, she's able to create her ideal writing environment, an environment that often gets its best use at 3am. To craft her song lyrics, Ndegeocello draws on what she calls the constantly moving "image factory" in her mind.

The ten-time Grammy nominee has a new album, released November 8, called Weather.  She's on tour now supporting it. Ndegeocello's creative output is staggering in its excellence, and the critical acclaim throughout her career is universal in its praise. Read my interview with Ndegeocello after the video.

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Craig Finn, The Hold Steady

The Hold Steady will begin writing material for their sixth album over the next few months. But Craig Finn, the band's lyricist, has probably been writing that material for a long time.  As any good writer knows, the key to become a good writer is daily practice, just like the key to being good at anything is practice.  So Finn makes a point to write every day in his journals.  Though he tries to write a song each day, a lot of what he writes is reflection: what he did that day, his thoughts on the movie he saw, or what he thinks about the book he just read. When he does write a song, he does what good writers do: he lets it sit for a while, untouched, then comes back to it later when he has a new perspective.

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Chris Collingwood, Fountains of Wayne

My family and I lived in upstate New York for four years, from 2002 to 2006, before we beat a hasty retreat back to our hometown of Washington, DC.  We lived in the small town of Hamilton, New York, near Syracuse, where winters can start in October and end in May. The snow never ends and the cold is unrelenting (we had 190 inches of snow our last winter there).  Yes, the countryside is beautiful, and the other three seasons are sublime--but they are far too short to really enjoy.

For some writers, this situation is ideal.  The forced isolation (unless you have snowshoes) and creative output go hand in hand: armed with bottomless hot chocolate, a pen, and a not unreasonable desire to stay warm, you can really crank out the words.  Pete Yorn, for instance, told me that if it weren't for the brutally cold winters during his undergrad days at Syracuse University, he may not have become a songwriter.

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