Posts in Influencers
Neil Finn, Crowded House

With an empty house and some much deserved peace and quiet, what's an empty-nester to do after the kids are no longer running around the house? Some want to travel the world.  Others want to just enjoy the domestic tranquility.

This is not what Neil and Sharon Finn did. In fact, they did the opposite. 

Instead of globetrotting or listening to the sounds of silence, they made more noise.  To be sure: when it comes from the voice or the pen of Neil Finn, it's never noise.  You can dispute the talents of many people in music, but of this fact there is no arguing: Finn is one of the most talented songwriters ever (listen to any Crowded House album and you'll see what I mean). The Finns' new project, Pajama Club, is the result of red wine and lots of time.  With the kids gone, Neil and Sharon needed something to do.  Maybe the house was too quiet. So Neil picked up the drums and Sharon the bass--instruments out of their comfort zone--and began jamming.  Playing the rhythm section is an odd way to start an album, but if anyone can pull that off, it's Finn.

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Andy McCluskey, Orchestral Manoeuvres in the Dark (OMD)

It's a tribute to Orchestral Manoeuvres in the Dark that the sound they helped create, the shimmering synth pop that was so innovative when the band started three decades ago, is now de rigueur in music. OMD is out with a new album called History of Modern; it's their first in fourteen years and their first in over twenty with the 1980s "If You Leave" lineup.  It comes at an appropriate time, given the popularity of synth pop and the band's influence on groups like The xx and LCD Soundsytem. And the public has responded: OMD were conservative when booking venues on this tour, but now they are having to book second shows in some cities and move shows to bigger venues in others.

When it came to making History of Modern, Andy McCluskey, the band's singer and co-songwriter with Paul Humphreys, told me, "We analyzed our history and realized that we had created our own musical voice with the first four albums, and we wanted to go back to expressing ourselves in the language we invented ourselves.   We had to strike that balance between something that was OMD but also not some nostalgia trip."

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Chris Difford, Squeeze

When Chris Difford of Squeeze sits down to write a song, there's actually two Chris Diffords in the room: the one at the desk penning the lyrics, and the one on the couch in the corner telling the one at the desk how he feels.  It's those feelings that form the basis for Difford's songs; for him, the songwriting process is "cathartic. . .like keeping a diary."

There's not much I can say in this introduction about the songwriting duo of Difford and Glenn Tilbrook that hasn't been said somewhere else.  For over 35 years, they've adhered to the same routine: Difford writes the lyrics and Tilbrook writes the music.  The result has been some of the most well-crafted and memorable pop songs: "Tempted," "Cool for Cats," "Black Coffee in Bed," "Pulling Mussels from a Shell," "Is That Love," "Hourglass,". . . the list goes on.  They are certainly one of the most legendary (and I will also say strongest) songwriting duos in rock history. If you know music, there is no need for me to extol their excellence.  But if you need proof, there's this: Difford wrote the lyrics to "Tempted" in about two and a half minutes in the back of a cab.  And that first draft was the only draft: he didn't change a word from what he wrote in that back seat.

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Colin Newman, Wire

And now for a lesson in music history.

It wouldn't be a stretch to say that Wire has had a considerable influence on rock music.  I say "rock," because as songwriter Colin Newman told me, their music "takes the axe to 'rock n roll' and leaves the 'n roll' part out."  Wire has been cited by bands like U2, The Cure, R.E.M., Guided By Voices, Minor Threat, and Black Flag (among countless others) as an influence.  They are one of the innovators of the punk scene of the 70s and 80s, be it punk rock, art punk, post-punk, whatever. With releases like their 1977 debut Pink Flag and later Chairs Missing, Wire were era-defining; if you listen to indie rock in some form today, chances are there's a Wire influence somewhere. 

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Matt Pryor, The Get Up Kids

The Get Up Kids formed in 1995 in Kansas and were a major player in the second wave of emo. They enjoyed considerable success, both in worldwide touring and record sales, before disbanding in 2005. Relatively speaking, back then life was pretty uncomplicated for singer and guitarist Matt Pryor.  Sure, he was busy touring the world and writing music.  But at least he didn’t have kids.

The Get Up Kids have reunited for a new tour and record.  And now, Pryor is the married father of three kids ages eight and under.  His family informs—in a good way—everything he does now as a songwriter.  He is a devoted family man.  He takes the kids to school in the morning and writes when they are gone.  He puts them to bed and writes when they are asleep.  His band schedule revolves around his wife's graduate school schedule.  He’s even written two children’s records.  As the father of three kids ages seven and under, I can appreciate Pryor's life.  But as Pryor told me, people ask him, “Well why can’t you just find time to write?” To which he responds, "Unless you have kids, you just don’t understand.”

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Corin Tucker, Sleater Kinney

What is it with the connection between manual labor and songwriting? Corin Tucker becomes the third interviewee (Grace Potter and Lissie being the others) to tell me that working around the house inspires her to write, be it housework or yardwork.  Tucker offers an explanation: the time when brain and hands are moving is "meditative time" that stimulates creativity.  

We know Corin Tucker as the singer and guitarist for Sleater-Kinney.  In October she released a solo album entitled 1,000 Years (KillRockStars) that she called "a middle aged mom record." In her late thirties, Tucker is a mother of two with a full-time job outside the record industry.  And the routine of her writing process reflects that: her day job has given her a healthy respect for deadlines when it comes to writing, even though she often can't work on meeting those deadlines until after she puts the kids to bed.

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Alain Johannes

In Macbeth, Shakespeare writes, "Give sorrow words: the grief that does not speak/Whispers the o'er-fraught heart and bids it break." Faced with loss, we must give voice to our feelings so that we can begin some semblance of recovery.  For Alain Johannes, there was no other option.  In 2008, Natasha Shneider, his partner in every sense of the word--in romance, in friendship, and in music--died of cancer at the age of 42.  They had been together for 25 years. 

Out of this grief came Jonannes' solo release Spark (Rekords Rekords).  On display are all of the emotions Johannes felt after Shneider's death, from grief to anger to celebration.  The album was completed in only four days; in his words, Johannnes was "pregnant" with the inspiration and ideas for it.  It just had to be made, because the lyrics were ready to burst forth.  He made Spark much for his own benefit: to heal, and to pay tribute to Shneider. But while the inspiration part of the process was easy, it came from a very raw state.  As Dante wrote, "No greater grief than to remember joy when misery is at hand."

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Jack Tempchin, Eagles songwriter

For many of the songwriters I interview, the digital revolution has always been a part of their lives.  So it would be easy to think that they embrace technology in their songwriting process.  Not so.  All of them use journals, diaries, little black books, even typewriters.  Heck, one even still owns a Sony Discman.

Enter Jack Tempchin, from the southern California singer/songwriter scene in the 1970s.  When he started writing, people used yellow pads and pencils.  So we might excuse Tempchin for sticking to his original method. But what does Tempchin use?  An iPhone.  This is the bizarro world of songwriting, where twenty-somethings use typewriters and diaries, and singer/songwriters from the 70s use iPhones.  

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