Posts in Indie Rock
Craig Finn, The Hold Steady

The Hold Steady will begin writing material for their sixth album over the next few months. But Craig Finn, the band's lyricist, has probably been writing that material for a long time.  As any good writer knows, the key to become a good writer is daily practice, just like the key to being good at anything is practice.  So Finn makes a point to write every day in his journals.  Though he tries to write a song each day, a lot of what he writes is reflection: what he did that day, his thoughts on the movie he saw, or what he thinks about the book he just read. When he does write a song, he does what good writers do: he lets it sit for a while, untouched, then comes back to it later when he has a new perspective.

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Jeremy Messersmith

Quick: what do cooking, Dungeons and Dragons, bike riding, Jerry Seinfeld, art galleries, and Jeremy Messersmith's wife all have in common?  Answer: they are all an important part of Jeremy Messersmith's creative process. No one can accuse Messersmith of passively participating in the creation of his songs.  In some manner, he's always at work at crafting them.

And it's a process that has served him well:  Messersmith's latest release The Reluctant Graveyard received universal praise, including a spot on NPR's "Top Ten Albums of 2010" list. And it is a great album. 

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Laura Stevenson, Laura Stevenson and the Cans

After close to 100 interviews for this site, artists have given me a variety of answers as to why they write songs.  Some just enjoy playing music, a pleasurable experience as an end in itself.  For others, it was probably rooted in those Suzuki method piano lessons that their parents made them take.  And, of course, for still others music is an emotional outlet, as it is for Laura Stevenson, of Laura Stevenson and the Cans.  Music has helped Stevenson through some dark times, times so dark that she did nothing: her phone went unanswered, her bills went unpaid. But songwriting is a cathartic process for her; she expresses topics that she hasn't even told her therapist. I don't think writer's block will ever be an issue for Stevenson, since, in her words, she has "decades" of material from which to draw.

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Ivan Howard, The Rosebuds

Here's the secret to the success of Ivan Howard's songwriting: television, physical activity, and great literature. Sure, at first blush they seem disparate: the vacuous life of the couch potato, the discipline of the athlete, and the intellectual curiosity of the bookworm.  But they all legitimately contribute to Howard's creative process and the crafting of those wonderful Rosebuds' songs: the TV (it can't be a show he actually pays attention to) distracts him from the subject matter he's writing about, running and basketball are his periods of creative meditation, and the books are the source of the band's natural imagery. 

Much has been made of the story behind the making of The Rosebuds' latest release Loud Planes Fly Low.  Howard and Kelly Crisp make up The Rosebuds.  They divorced after the release of their fourth album Life Like.  But they continue today as a songwriting duo, now just as bandmates and friends.  Loud Planes Fly Low is the product of the emotional output and coming to grips with the breakdown of their relationship.  It's been covered enough in the press, so I'm not going to do it here. Besides, there's enough wonderfully original responses in this interview to sustain a fresh narrative.

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David Kilgour (The Clean, and David Kilgour & the Heavy Eights)

In the late 1970s, David Kilgour formed The Clean, one of the most popular bands in New Zealand and responsible for the development of the punk scene there.  The Clean were pioneers of the Dunedin Sound and one of the original signees to Flying Nun Records. Kilgour has long been recognized as one of the biggest (and most respected) songwriters and guitarists to come from New Zealand.  But did you know he's also a pretty good painter, a creative outlet that also serves him well as a songwriter?

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Max Bloom, Yuck

After talking to guitarist and songwriter Max Bloom of Yuck on the phone recently, I have an image in my mind: Bloom and his bandmates jamming loudly in his parents' house, so loudly that they wake the neighbors, who come out and shout up at the bedroom window, "Turn that f***ing music down!"  Typical young kids, I guess.  It's almost a stereotype.

Only it's true.  Bloom and co-songwriter Daniel Blumberg write and demo all the Yuck music in Bloom's parents' house.  And when they play, the neighbors get angry. This house is also where they recorded the album.  According to Bloom, it's the only place he feels comfortable enough to write; it's clearly where he gets his best writing done. So while Bloom is at the age when most young adults (at least here in the US) would do anything to get out of their parents' house, Bloom wants to get back in.  Though he still has some trepidation about the neighbors' reaction when the band starts recording new material...

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Thao Nguyen, Thao & the Get Down Stay Down

Earlier this week I posted my interview with Mirah, and today it's Thao's turn (of Thao and Mirah, as well as Thao and the Get Down Stay Down). Thao and Mirah begin touring in May to support their album that comes out April 26 on killrockstars. I've interviewed over 80 songwriters for this site, and few (probably enough to count on one hand) mention exercise as an aid and a regular part of their writing process.  But both Thao and Mirah exercise regularly and use it as a way to boost creativity.  Which makes me think that if they haven't already, the should run together if they decide to write and record again.  Maybe train for a 10k together.

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Mirah, Thao and Mirah

One thing that distinguishes artists from everyone else is their hyperattention to their surroundings. Specifically, good lyricists (and that means songwriters and poets) see beauty in even the most mundane of things.  And there's no better example of that than Mirah, who maintains a Tumblr account that features nothing but pictures of discarded banana peels she finds on the streets of San Francisco.  She claims on the site that she doesn't think this has anything to do with her music, but I must disagree.  It's all part of her creative package. This is exactly what makes songwriters artistic: they see purpose in everything, even (really, especially) in things that most of us never notice.

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Jonathan Meiburg, Shearwater

It's a telling indication of the depth of Jonathan Meiburg's experience that if you Google his name and search for images, you'll see a lot of birds.  As any professional writer will tell you, what makes for powerful writing is engagement with the world. Good writers engage with their environment and seek out novel ways to interact with it.  Of course, mere interaction with the environment isn't necessarily an indicator that you'll write well about it; to do so, you have to engage and reflect on that engagement. Ernest Hemingway experienced a couple of wars and lots of bullfighting, but it's how he wrote about those experiences that made him great.

All this is to say that this is why Meiburg, the Shearwater singer and songwriter, writes such quality music.  His experience is vast: he's been to the Falkland Islands, Tierra del Fuego, an Aboriginal settlement in Australia, the Chatham Islands of New Zealand, and Baffin Island in Canada.  His masters degree is in geography, and his thesis (which I am reading now) is entitled The Biogeography of Striated Caracaras (Phalcoboenus australis). Not surprisingly, Meiburg is an avid birder.  As you'll read below, he spends a considerable amount of time not only writing about the natural environment but thinking about his place in it with keen metacognition.

Read my interview with Jonathan Meiburg after the video. A special thanks to Jenn Wasner of Wye Oak, who introduced me to Jonathan and affectiontely told us two "nerds" to go at it.

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Brian Roberts, Ha Ha Tonka

This is not an album review site, since I do that for the Washington Post.  I try to maintain some sense of objectivity when I write these short pieces before my interviews.  But for this, my second interview with Brian Roberts of Ha Ha Tonka, I am suspending that practice to say that Ha Ha Tonka is one of the best bands making music now.  Their new album,Death of a Decade (Bloodshot Records), only futher reinforces my opinion.  It's beautiful, it's soulful, it's energetic.  And the four-part harmonies from these guys from the Ozark mountain region are mesmerizing. Predictably, the reviews for Death of a Decade are overwhelmingly positive.   Their music has been described as indie, roots, alt-country, bluegrass, southern rock, among other label.  It's hard to pin down, but that's probably why they are so good: it's got all those influences.

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Pete Yorn

It's not that often that a songwriter says that majoring in the humanities was the perfect preparation for being a singer/songwriter.  But that's what happened for Pete Yorn.  He was a speech communications major at Syracuse University  (it's now called "communication and rhetorical studies" there).  He had planned on going to law school and figured that a major emphasizing public speaking was good preparation.  Yorn was "petrified" of getting in front of a group, so the major helped him work through that fear and become comfortable with public performances. 

Yorn's college experience honed his songwriting skills in another way.  If you've ever spent any time near Syracuse, one image comes to mind: snow.  The area is closing in on 200 inches of snow this winter. I spent four years living in the Syracuse area. The cold and snowy winters there are soul-crushing.  But ask Yorn about his time as an undergrad at SU, and he'll tell you that if it weren't for all that snow, he might never have become a songwriter.  What others might see as limiting--the fact that you can't really go outside--Yorn saw as the perfect opportunity to stay inside and do some writing.  "I credit those winters," he says, "as a catalyst to my songwriting."

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